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Upcoming Release: Ignite Pro 2021.1

Ignite Pro 2021.1 will be landing in April and will bring a multitude of new updates, workflow enhancements, plugins, and presets. Read on to find out about the exciting new features version 2021.1 has to offer.

How to create a VFX cyborg effect for free

Want to join the Justice League? Now you can! In this tutorial, we’ll take you through motion tracking your actor’s head in Blender, applying a detailed 3D model, and compositing in HitFilm Express, all for free.

Color grading for beginners

Color grading for beginners

Color grading is the easiest way to get cinematic footage. Learn the tricks of the trade used by professional colorists in this beginner's guide to color grading.

Color grading for beginners can be a little bit confusing, but once you have the fundamental principles down, it’s really quite simple! Here we’re going to cover our top tips for how to color grade your video for a cinematic look.

What is color grading?

Before we show you how to color grade, it’s important to first understand what it is. Color grading is the process of manipulating the color and contrast of images or video to achieve a stylistic look. It combines technical and creative skills and is important in achieving both tone and clarity in a film.

Ungraded Oli
Ungraded image
Graded Oli
Graded image

What’s the difference between color grading and color correction?

Color grading and color correction shouldn’t be confused. To achieve professional, cinematic results it’s important to understand the distinction between the two. They’ll both play a role in your final grade.

Color correction is corrective. The aim being to achieve a naturalistic appearance to the footage (i.e. make it look how it did in real life).

Color grading is creative. The aim being to achieve a ‘look’ or ‘feel’ that reflects the tone of your film, or use color to dramatic effect.

Color correction can in some ways be considered a part of the color grading process because it’s necessary to provide you with a ‘base’ to work from when grading.


Key terms

Before we delve deeper into how to achieve a cinematic grade to your footage, you’ll need to learn a few basic terms.


HSB

HSB stands for HueSaturation and Brightness. When we’re working with color, these three qualities are the main things we’re adjusting to achieve the desired effect.

Color grading for beginners - what is HSB

Hue is the difference between red and green. It affects where your color sits along the spectrum of the rainbow and is usually measured as a value between 0° and 360°.

Saturation is the difference between red and gray, i.e. how vivid the color is. Reducing the saturation of a color will make it more muted and move it toward grayscale. Saturation is measured as a value between 0% and 100%.

Brightness is the difference between light red and dark red. If you increase brightness you move closer to white (100%), decrease it and you move towards black (0%).


RGB

Color grading for beginners - What is RGB

Each pixel in a screen is made up of three lights – one redone green and one blue (RGB). Combine these three colors at varying intensities and you can make any color.

When color grading, manipulating each of these channels independently offers you greater control over the color in your footage.


Exposure

Rebellion Star Wars fan film shot underexposed
Overexposed Rebellion hero shot
Rebellion Star Wars fan film shot correctly exposed
Corrected Rebellion hero shot

Exposure is how much light a camera picks up to get the resulting image. If too low, the image will be pitch black, too high and it will be pure white. It’s usually set in-camera, but it’s possible to affect exposure in post (HitFilm Pro‘s Exposure Pro tool is great for this).

Generally, the goal is to find a good balance where there are no areas of flat black or white. But you can sometimes use blown out or underexposed areas to creative effect.


White Balance

You may have heard people refer to footage as ‘warm’ or ‘cool’. This refers to the ‘orangeness’ or ‘blueness’ of the colors in your video. The goal when adjusting white balance is to render neutral colors (like gray) as naturally as possible.

White balance should always be set in-camera to avoid problems down the line (it can be difficult to fix in post). Most cameras have a pretty reliable ‘automatic’ setting that will monitor the scene and set this for you.


What’s the best process to follow?

Before you dive right in, we’ll quickly go over the best process to make sure you come out with a clean grade that looks good. Then we’ll show you how to get a cinematic grade on your own videos.

  1. Color correction

    Color correction is all about making your footage look as natural as possible. To do this, we need to ignore any creative preference we have, and just make sure it’s correctly exposed, the right white balance, and the colors look true-to-life.color correction before and after

  2. Shot to shot matching

    Once we’ve corrected the color of our pilot clip, we can apply that same correction to the other clips in the scene. You can do this by saving your color correction effects as a preset and adding them to the other clips.

  3. Create your ‘Look’

    This is where you get to decide how to adjust your contrast, color balance and really fine-tune the mood you want to give off. Keep reading to learn how to get that cinematic grade and make your scenes pop.
    color grading before and after

  4. Apply the look across the scene

    As with step two, apply your new grade across each of the clips in the scene.

  5. Apply a final grade

    The final step is to polish the finish by tweaking any last parameters to make sure your final grade looks good on each of your shots.


How to get a cinematic color grade

There are no hard-and-fast rules when it comes to grading, but here are a few tips on things to bear in mind.


Keep it subtle

Changing the colors too much will cause the grade to be too distracting and unnatural-looking, which will shatter the immersiveness of the film.


Consider skin tones

Try and keep skin-tones in their natural hues to stop your actors looking sickly or unnatural-looking. This is something we’re programmed to pick up on quite easily. You can use HitFilm’s ‘Vectorscope‘ tool to monitor this in combination with the various other color correction tools available in the software.

Color grading for beginners - how to color correct skin tones

Think about mood

While it’s largely subjective, color does have a strong connection to emotion. Using colors in the right way can help to emphasize mood and will have a huge effect on the cinematic character of your film.


Think about palettes

Professional colorists will usually take an existing image as a ‘reference’. They’ll then color pick some of the important tones in the image to guide their grading process. HitFilm’s handy Grading Transfer effect can do all of this work for you by analyzing the colors in your source image and ‘stealing’ the grade to apply to your own footage.

Color grading for beginners - using palettes for color grading - Mad Max: Fury Road
Mad Max: Fury Road (2015)

Using complementary colors (colors that are opposite each other on the color wheel) can be a good way to introduce contrast. In contrast, analogous colors (colors that are next to each other on the color wheel) can be used to achieve a strong mood. For cinematic results, try using the Tone Coloring or Duo-Tone to achieve a complementary or analogous color scheme.

Analogous and complementary colors - color grading for beginners

Color grading for beginners with HitFilm’s Curves tool

The Curves tool is a colorist’s most powerful instrument. In this tutorial, Javert shows you just how easy it is for even total beginners to get a cinematic color grade in HitFilm.

Start grading today by downloading the latest version of HitFilm Express – the free video editing and VFX software (it’s the perfect editing and color grading tool for beginners).

Interested in learning more about filmmaking and VFX? Subscribe to our official YouTube channel.


How to brighten a video using color correction

Sometimes your footage can look a bit flat. If it doesn’t really pop and looks like it should be a bit brighter, there’s a better way to brighten a video than just raising the brightness of the footage. Enter the Levels Histogram tool in HitFilm Express.

By using the Levels Histogram tool and some simple color correction techniques, we can make our footage brighter without damaging the quality or blowing out the highlights. Download the free video editing software HitFilm Express to get started.

Firstly, import your footage into HitFilm from the ‘Media’ panel, and add it to your timeline. Then, search for the Levels Histogram effect in the ‘Effects’ tab. You should see a chart that looks like this in the ‘Controls’ tab. If you can’t see it, make sure you’ve got the dropdown for the effect expanded.

How to brighten a video with Levels

This chart tells us the brightness of the pixels in our footage on a scale from zero to one hundred. As you can see, in our example, the brightest pixels are only around sixty percent. That’s a lot of headroom! Let’s move our white point slider down until it’s almost touching our brightest pixels:

Brighten a video with Levels Histogram in HitFilm Express

Looks a bit better, right? If you’re footage still looks a bit dark, there’s one more thing you can do. The middle slider is our ‘midpoint’. The midpoint tells us which pixels will be at 50% brightness. If we move it up, it will make most of the pixels darker, if we move it down, it will make them brighter, without affecting our brightest or darkest colors. This means we can boost the brightness of our footage without ‘blowing out’ the highlights by simply moving it to the right.

And there you have it, a quick and easy way to brighten a video using free video editing software. Make sure to subscribe to the FXhome YouTube channel for more weekly tutorials on video editing and visual effects.

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Steven Spicer

Steven Spicer

Photographer, musician, and data geek. You can usually find me on the line where maths and science meet art, storytelling, and life's biggest questions. My hobbies include chasing the light like a great big moth and pondering the existential to some smooth jazz or lo-fi hip hop.
Steven Spicer

Steven Spicer

Photographer, musician, and data geek. You can usually find me on the line where maths and science meet art, storytelling, and life's biggest questions. My hobbies include chasing the light like a great big moth and pondering the existential to some smooth jazz or lo-fi hip hop.