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Topic: Ultimate Film Credits Glossary

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Obi

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Posted: Wed Jun 25, 2003 5:50 pm    Post 1 of 21

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And here it is! The Ultimate Film Credits Glossary. Since Hajiku_Flip has created a glossary detailing film terminology (Here), Mellifluous and I have decided to create another glossary with all the terms you will find in a movie's credits.

Post with anything we've missed and it will be added.

(Version 1.5)

A

Art director - The person who oversees the artists and craftspeople who build the sets.

Assistant art director - An assistant to the art director.

Assistant director - (AKA: AD, First Assistant Director) An assistant director's duties include tracking the progress of filming versus the production schedule, and preparing call sheets.

Assistant editor - Editing room crewmember responsible for providing any and all required logistical assistance to the editor(s).

B

Best boy - The chief assistant, usually of the gaffer, but more often lately used as a general term for the second in command of a group.

Body double - For some shots, a director may consider that a particular actor's body may not be suitible for the impression desired. In these situations, the actor is "doubled" (replaced) by a person whose body is more suitible. Typically, body doubles are used for shots requiring nudity or depictions of physical fitness.

C

Clapper board loader - Writes scene notes and operates the Clapper Board, which is used to sync sound.

Costume designer - See Wardrobe.

Cinematographer – Produces the images requested by the director. They must collaborate with the director about the overall style and effect they want the film to possess.

D

Director – Has to decide on the overall effect of the film, and how to achieve it. They plan which shots will be taken, how they will be shot, what order they are shot in, and what the shots will contain. Ultimately, the nature of the film (genre and period) will be influential in the way the film is shot. The director is the authority on set, and as such must make the decisions required of him. Importantly, the director must draw performances out of his actors, telling them what is required of them but giving them room for improvisation and inspiration.

Director of photography - (AKA: DOP) Maintains and checks scene exposure levels, film speeds and lenses. Works in conjunction with First assistant camera to achieve the aesthetic vision of the Director.

E

Editor – Arranges the shots in sequence as the director has instructed, and also adds sound. Hopefully, the combination of the two gives the film a unique rhythm and structure. The editing style will be influenced by the film, moreover the cinematographer and director have to consider the editing process before and during the filming.

F

First assistant camera - See Focus puller and Clapper board loader.

Focus puller - A member of the camera crew who adjusts the focus of the camera during filming.

Foam technician - The lead technician in charge of foam latex (Prosthetic) appliances and masks.

Foley artist - The person in charge of adding in sound effects such as the sounds a prop would make etc.

G

Gaffer - Chief lighting technician.

Greensman - Person in charge of maintaining any foliage or greenery on set.

K

Key grip - The chief of a group of grips, often doubling for a construction co-ordinator and a backup for the camera crew. Key grips work closely with the gaffer.

L

Leadman - Member of the art department who is in charge of swing gangs and/or set dressers and reports to the set decorator.

Lighting crew - A group of technicians who install, operate, and maintain lighting.

Lighting department - The section of a production's crew responsible for lighting and other electrical matters during filming. Individual positions within in this department include: electrician, lighting crew and genny operator.

Chief/Lighting technician - (AKA: Gaffer) A member of the electrical department that is responsible for operating lights and lighting equipment on a set.

Line producer - A producer who is responsible for managing every person and issue during the making of a film. Line producers only work on one film at a time. See also: unit production manager, associate producer, co-producer, executive producer.

M

Maintenance engineer - A person responsible for general maintenance and repair.

Matte painter - A person who creates artwork (usually for the background of a shot) which is included in the movie either via a matte shot or optical printing.

Music arranger - Someone who adapts a musical composition for voices, instruments, and/or performance styles other than those for which the music was originally written.

Music editor - A person who performs editing on the score of a movie.

Music supervisor - (AKA: Musical Director, Musical Direction, Music Director, Music Direction) A person who coordinates the work of the composer, the editor, and sound mixers. Alternately, a person who researches, obtains rights to, and supplies songs for a production.

O

Opaquer - An artist who colours in the individual cells of an animated film.

P

Post production co-ordinator - A production assistant working for the post-production supervisor.

Post production supervisor - A person overseeing the entire post-production of a project. They report directly to the producer and/or the studio in charge of the feature. Working side by side with the director and editor, the supervisor has the responsibility of finishing the film on time and on budget while satisfying the wants of the director. Post-production supervisors have authority over post-production co-ordinators. Typical duties include: Controlling all activities with vendors such as optical houses, sound facilities, inserts, ADR, reshooting, CGI, score, delivery requirements to domestic and international distributors, legal clearances, preview screenings, color timing, video mastering and budgeting the movie through the completion and delivery.

Producer - The chief of a movie production in all matters save the creative efforts of the director. A producer is responsible for raising funding, hiring key personnel, and arranging for distributors. See also associate producer, co-producer, executive producer, line producer, Producer's Guild of America.

Production assistant - (AKA: Set Production Assistant, PA, Gopher, Personal Assistant, Assistant To, Assistant To Producer) A person responsible for various odd jobs, such as stopping traffic, acting as couriers, fetching items from craft service, etc. Production Assistants are often attached to individual actors or filmmakers.

Production co-ordinator - The person responsible for overseeing practical matters such as ordering equipment, getting near-location accommodations for the cast and crew, etc.

Production designer - An artist responsible for designing the overall visual appearance of a movie.

Production illustrator - A person responsible for drawing the storyboards and anything else that needs to be drawn during the production of the movie.

Production assistant - A person responsible for various odd jobs, such as stopping traffic, acting as couriers, fetching items from craft service, etc. Production Assistants are often attached to individual actors or filmmakers.

Pyrotechnician – Expert who deals with explosive requirements of a film. Must deliver what the director asks, and must consider safety when preparing for shots – the crew and actors’ safety, and any members of the public.

R

Runner - All purpose crewmember who carries equipment, make cups of tea, moan and generally help or hinder production.

S

Stunt co-ordinator - A person who arranges and plans stunts.

Seamstress - A person who produces the costumes for a picture. See Wardrobe.

Script Supervisor – Ensures continuity is maintained in the film, regarding clothes, art, makeup, actors, camera angles, dialogue and scene coverage. They ensure that scenes shot weeks apart maintain continuity so they gel together visually. They take detailed notes on all parts of a scene, such as what prop an actor was carrying when they said a certain line, and what picture was on the wall in a certain scene. The script supervisor may also be asked by the editor for advice on how to edit a scene, and the script supervisor may organise minor shooting, such as a close-upshot of a character’s hand opening a draw, so that the editing is easier.

Script writer - The script writer pens the original storyline and action that takes place during the picture. Often, the Director and Script writer are one and the same.

T

Technician - A generalised term used to describe anyone who works with and are skilled in a certain profession.

U

V

W

Wardrobe – Examine the costume requirements of a film, looking at the need for portraying accuracy and style of the period in which the film is set. They design, manufacture or adapt existing clothes fitting a film’s needs. Communication is needed with other departments such as makeup to ensure they don’t infringe on other departments’ concepts, and with actors to make sure the costumes fit them! See Seamstress.

Wrangler - A highly skilled member of the crew who herd or organise certain groups. Most often seen are Horse wranglers, who maintain and organise any mounts which are used. Some B-movie zombie pictures have adopted the term 'Zombie wrangler,' during their schools for teaching zombie movement.

X

Y

Z

Last edited by Obi on Fri Jan 02, 2004 4:55 pm; edited 9 times in total
(Super8 rules your dog) Its not the size of the CCD that counts, its what you do with it!
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Tarn

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Posted: Wed Jun 25, 2003 5:54 pm    Post 2 of 21

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Great stuff. I'll incorporate this and flip's glossary into the main site glossary once I have a few free minutes.
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Alternatively: Tarn's twitter, Tarn's blog and Potential Gamer.
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Mellifluous

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Posted: Wed Jun 25, 2003 5:54 pm    Post 3 of 21

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Hope you guys find this helpful! We certainly will! Maybe this could be made a sticky, since it really is a good resource and guide?

Edit: Cool!

Last edited by Mellifluous on Wed Jun 25, 2003 6:01 pm; edited 1 time in total
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Hajiku_Flip

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Posted: Wed Jun 25, 2003 5:55 pm    Post 4 of 21

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It's a good thing the two lists are seperated, the main list is getting a little chunky as it is . There are alot of times when I'm doing credits that i try to remembe what else people have done and what they need recognition for. This will help jog my memory . Good work guys
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nicmar

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Posted: Fri Jun 27, 2003 6:21 am    Post 5 of 21

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So what do you think in a lowbudget/nobudget production, is it really neccessary to name all (or lots) of this when it's maybe 3 people who's done it all... Or does it just look stupid?
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Obi

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Posted: Fri Jun 27, 2003 10:28 am    Post 6 of 21

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Unless your movie actually uses techniques in the fields that are mentioned above, I don't see the point.
(Super8 rules your dog) Its not the size of the CCD that counts, its what you do with it!
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nicmar

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Posted: Fri Jun 27, 2003 1:11 pm    Post 7 of 21

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Hehe of course no.. but i mean, it looks kinda silly with:

Writer: John Doe
Director: John Doe
Cameraman: John Doe
Costume design: John Doe
Stunts: John Doe

Etc..

We are a bunch of people though so it'll be allright
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Mellifluous

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Posted: Fri Jun 27, 2003 3:48 pm    Post 8 of 21

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Ha ha, yeah. But if you have a smallish group then it wouldn't look too bad, it would show how little help you'd had in making your short film & would be a tribute to your work.

If you have a large sized group, then if you can't think of any way in which someone can help, refer to the above list, I'm sure you'll find a job to give them!

This list is good because even if you think you know what a director is, or what a producer is, it'll remind you & inform you even more - hopefully!!!

Mel
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Obi

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Posted: Mon Jun 30, 2003 1:03 am    Post 9 of 21

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You'll be happy to know that I've just revised TUFCG with some new additions and changes.
(Super8 rules your dog) Its not the size of the CCD that counts, its what you do with it!
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cyclone3000

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Posted: Thu Jul 03, 2003 7:49 pm    Post 10 of 21

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Wow. I'm sure this thread will be useful to a lot of people, including myself.

Last edited by cyclone3000 on Sat Jul 05, 2003 5:41 pm; edited 1 time in total
-Cyclone3000
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Obi

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Posted: Thu Jul 03, 2003 9:23 pm    Post 11 of 21

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Hey, thanks! I'm glad its helpful to you I'll probably be adding some more soon, so, watch this space!
(Super8 rules your dog) Its not the size of the CCD that counts, its what you do with it!
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AndrewtheActorMan

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Posted: Sun Dec 14, 2003 12:38 pm    Post 12 of 21

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Thats really cool! With all the jobs you would think that you would have "guy drinking a beer behind the set"

hehe, no.
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Mellifluous

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Posted: Mon Dec 15, 2003 4:01 pm    Post 13 of 21

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We thought of that but it mysteriously got omitted...
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mVPstar

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Posted: Thu Jan 01, 2004 2:36 pm    Post 14 of 21

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lol, I just add random people whenever my credits are too short.

e.g:

"...And a Special Thanks to:
-Random Person 1, Random Person 2, Random Person 3, Random Person 4 & Random Person 5. I was thinking of them every minute as I was filming each scene. :sob, sob: Without them, my film could never be possible"
   

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Posted: Fri Jan 02, 2004 8:05 am    Post 15 of 21

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unless I missed them you forgot many audio and audio post people such as -

Location Sound Recordist - person who records all production sound on a shoot.

Sound Designer - Person who actually desgins all of the audio elements. Can also be the post production audio supervisor overseeing all audio elements that take place during post - foley, adr, sound editing (NOT to be confused with picture editing - these are two different elements), mixing, music editing (Probably more old school and not needed to much with software the way it is now) and the composer.

Yeah, ok I know AlamDV, and related software, is based around visual things but still...

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