Yep quite common, even moreso with DSLR shooters.
E.G running a mono mic into a DSLR with one channel at a good volume, and the other at 1/2 that volume.
Same problem... no way to just play the one audio track as a mono.
The best solution I've found is actually to throw your white balance sky high. (like 20,000k)
You'll still keep the blue of the LED, but the blocky-ness is actually over-exposure on the blue channel, so try shooting with a nice high white balance in…
I use Mac, PC and Linux... I mention ProRes becuase I use Atomos Samurai recorders, which record in ProRes.
I really feel that this is something HitFilm should include. I just cant picture anyone who is serious about their film making resorting to t…