mmmprod (22nd Aug 2008 12:02)

Thx m8 I have a lot of stories in the pipeline but as you could imagine pretty hard to make them produced ... As I'm always writting stories that too much cost... lol especiallu when I always want to make them in 35mm. Currently I'm trying to help young members of my Team to make their own film as for Lucky Strike ... Can't wait to see your next work Take care

ashman (22nd Aug 2008 08:13)

This is still one of my favourite movies on Fxhome. mmmprod - What are you working on now? Are there any other movies in the pipeline? It'd be great to hear what your working on next. Keep up the solid work. Ash

mmmprod (22nd Aug 2008 04:08)

Sorry to take this old thread on live... But I missed an important thing here hehe we would prefer to use a digital camera... We would have been able to give more image and angles and thus enhancing a lot more scenes. We were totally stucked as we used too much 35mm film too quickly... So in order to clarify everything so people can get the right information It was fully shot in 35mm It was shot with a Kinor 35H (Russian Camera)with LOMO lenses http://www.mmmprod.com/images/lucky/l2.jpg (the camera is under all this stuff because it makes too much noise so we had to cut the sound by adding a lot of things around it lool) http://www.mmmprod.com/images/lucky/l1.jpg (the guy on the left with the BERETTA gun is the director - 20 years old ! for me a real talented guy, that's why I help him to make his film as it was mine ) The appartment scene was shot with Arri BL 1 ( 1970 !! ) with ZEISS Lenses. We used 12 35mm boxe's with 122m of film (VISION 2 KODAK 250D even at night !!) Therefore we had Only 56min to shoot the whole movie... We shot the SUpermarket scene at night ! It was a challenge for me as I was the DP and I wanted to give a really CSI Miami look to this film (I also wrote - edit - color grade - FXhome effected - and Sound designed - the film ) http://www.mmmprod.com/images/lucky/lucky1.jpg http://www.mmmprod.com/images/lucky/lucky4.jpg We used 49 KW of light for this scene. The film was developped by one of the worse 35mm developper in France I won't tell the name of this company as I don't want to die lool XD and then it was put into a DVCAM tape in order to capture all the footage. anyway no digital camera was used to shoot this film at anytime... as well as my own film "No" ( http://fxhome.com/cinema/view/1336/no-! ) which was shot in 35mm with arri BL 1 Cheers